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The inspiration of the work lies in Kene patterns, a traditional Shipibo art form that represents spiritual communication and embodies mathematical beauty through intuitive creation. These patterns follow geometric principles like reflection, rotation, and translation, creating complex tessellations that mirror modern algorithmic art.

By viewing Kene patterns through the lens of mathematical structures, we recognize them as an early form of generative art. This perspective bridges the gap between ancient cultural practices and modern technological art forms. It highlights how universal mathematical principles are across time and cultures, showing how basic concepts of geometry and symmetry inspire creativity no matter the medium.

Shipibo embroidery with white Kene patterns

MazeFlipper draws parallels between the recursive nature of Kene patterns and contemporary computational art, highlighting how ancient wisdom naturally incorporated mathematical principles that are now used in digital creation. Van Geer specifically combines Western maze symbolism, known for representing spiritual and intellectual journeys, with Shipibo Kene art's cosmic snake motifs and endless patterns.

The work's designs resonate across multiple scales, from microscopic circuit boards to urban landscapes viewed from above, and even to cosmic structures of galaxy clusters. This multi-layered approach suggests universal organizational principles that connect different scales of reality. The project serves as both a cultural bridge and a philosophical exploration, inviting viewers to contemplate the recurring patterns that might reveal fundamental truths about existence while preserving and honoring indigenous artistic traditions.